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We Are Not Ourselves

A Novel

Audiobook
6 of 6 copies available
6 of 6 copies available
The instant New York Times bestseller The Washington Post calls a "stunning...superbly rendered" novel, and Entertainment Weekly describes as "a gripping family saga, maybe the best...since The Corrections."

As an Irish immigrant in Queens in 1941, Eileen has dreamed of more in her life—but when she and her family seem to be moving closer to that dream, devastation hits and they must learn how to not only hold on to their reality, but to each other.
Born in 1941, Eileen Tumulty is raised by her Irish immigrant parents in Woodside, Queens, in an apartment where the mood swings between heartbreak and hilarity, depending on how much alcohol has been consumed. From an early age, Eileen wished that she lived somewhere else. She sets her sights on upper class Bronxville, New York, and an American Dream is born.

Driven by this longing, Eileen places her stock and love in Ed Leary, a handsome young scientist, and with him begins a family. Over the years Eileen encourages her husband to want more: a better job, better friends, a better house. It slowly becomes clear that his growing reluctance is part of a deeper, more incomprehensive psychological shift. An inescapable darkness enters their lives, and Eileen and Ed and their son Connell try desperately to hold together a semblance of the reality they have known, and to preserve, against long odds, an idea they have cherished of the future.

Described by The New York Times Book Review as "A long, gorgeous epic, full of love and caring...one of the best novels you'll read this year," We Are Not Ourselves is a testament to our greatest desires and our greatest frailties. Through the lives of these characters, Thomas charts the story of the American Century. The result is, "stunning...The joys of this book are the joys of any classic work of literature—for that is what this is destined to become—superbly rendered small moments that capture both an individual life and the universality of that person's experience" (The Washington Post).
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    • Publisher's Weekly

      Starred review from April 21, 2014
      In his powerful and significant debut novel, Thomas masterfully evokes one woman’s life in the context of a brilliantly observed Irish working-class milieu. Eileen Tumulty was born in the early ’40s, the only child and dutiful caretaker of alcoholic parents. As a young woman, she hopes to leave her family’s dingy apartment in Woodside, Queens, and move up the social ladder. Eileen falls in love with and marries Ed Leary, a quiet neuroscientist whom she sees as the means to an upper-middle-class future. But Ed is dedicated to pure scientific research, and he turns down lucrative job offers from pharmaceutical companies and academic institutions. The couple’s apartment in Jackson Heights is a step up from Eileen’s parents’ apartment, but she wants a home in tony Westchester County. Later, Eileen pursues an arduous career as a nursing administrator to secure a future for their son, Connell. But once she gets her gracious but dilapidated fixer-upper in Bronxville, in southern Westchester, Ed is diagnosed with early-onset Alzheimer’s, and the family slowly endures “the encroaching of a fathomless darkness.” Thomas works on a large canvas to create a memorable depiction of Eileen’s vibrant spirit, the intimacy of her love for Ed, and the desperate stoicism she exhibits as reality narrows her dreams. Her life, observed over a span of six decades, comes close to a definitive portrait of American social dynamics in the 20th century. Thomas’s emotional truthfulness combines with the novel’s texture and scope to create an unforgettable narrative.

    • AudioFile Magazine
      The arc of Eileen Leary's life contains more disappointed hopes than realized dreams. Despite the tragedy she experiences, Eileen and those closest to her are unsympathetic, even unattractive, characters, and the flat affect of the Mare Winningham's narration exacerbates that impression. More of a pause here, more intonation there would have drawn out textual subtleties. But too often the lack of one or the other, or both, errs so far as to lose the listener in dialogue exchanges and scene changes. None of the characters in this novel are idealized, and that is perhaps its key point, but what that character vantage has to offer gets muted. K.W. © AudioFile 2014, Portland, Maine

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