Confessions of a Jane Austen Addict

June 4, 2007
A
clever time-travel setup functions as the prime attraction for this breezy debut novel. Courtney Stone, a single Los Angeles woman recovering from the double whammy of a broken engagement and a failed friendship, wakes up after a night of self-medicating with her “drug of choice,” Jane Austen novels, to find herself in 1813 England. She's inhabiting the body of Jane Mansfield, a manor-born Englishwoman who, at 30, has yet to find a husband, confounding her humorless, “Miss Bossy-corset” stand-in mother. While still haunted by “real-life” memories, Courtney, as Jane, soon gets swept up in this Austenesque world of decadent meals and grand balls, gentlemen in “form-fitting knee breeches” and traveling with her friend Mary, whose brother, Charles Edgeworth, appears to have an interest in Jane that Courtney struggles to understand. As her identity starts to meld with Jane's, Courtney rethinks who she wants to be (and to be with) in any time period. While her 21st-century anachronisms can be comical, Courtney, for such an Austen “addict,” is unconvincingly naïve about Regency norms. Fans of the ever-expanding inspired-by-Austen-lit garden party will find a winner here; it doesn't hurt that Austen has a brief, comical cameo.

July 1, 2007
Waking up in early 19th-century Britain is not a common occurrence for a 21st-century gal from L.A. Yet Courtney Stone, just having dumped her womanizing fiancé , does wake up during the Regency era in the home and body of Jane Mansfield (yes, she acknowledges the irony), a woman of 30 who has just fallen from a horse. As Courtney realizes that she is not dreaming, she becomes attuned to the thoughts, feelings, and memories of her host. First novelist Rigler has taken her own love of author Austen and superimposed it onto Courtney, a repeat reader and viewer of all things Jane. Aside from the obvious, there are other complications afoot, including a possible dalliance with a footman and the confused emotions regarding Charles Edgeworth, a prospective suitor and the brother of Jane's dearest friend, Mary. Throw in Jane's stern mother, her back-stabbing cousin, and a fortune-teller, and it's one wild time-traveling ride. Or is it? At book's end, it isn't quite clear where (or who) Courtney/Jane is. The voice of our heroine isn't well established either. She quotes from her favorite author's novels at will, but her tone and behavior are more that of a recalcitrant Valley Girl. What began as a charming premise becomes downright irritating. Perhaps exhaustive Austen collections would be interested. An optional purchase for public libraries. [See Prepub Alert, "LJ" 5/1/07.]Bette-Lee Fox, "Library Journal"

Copyright 2007 Library Journal, LLC Used with permission.

July 1, 2007
Talk about an out-of-body experience. One moment Courtney Stone is a modern-day L.A. career woman lamenting a lost love; the next she is Jane Mansfield, a well-to-do, willowy (though not particularly buxom, unlike her twentieth-century namesake) lady in nineteenth-century England. What could account for this transplant of time and place? Courtney has no opportunity to ruminate over such matters; she must quickly learn to interact with inhabitants of the brave old world in which she finds herself. Theres her mother, determined to marry 30-year-old Jane off to handsome Mr. Edgeworth; her artist father, more inclined to his daughters free-spirited frame of mind; and faithful servant Miss Barnes, who helps her mistress manage everything from chaperones to corsets. (Thank goodness Jane has read Pride and Prejudice more than a dozen times.) Its not long before Jane finds the lines blurred between her two vastly different selves. Like her heroine, debut author Riglerboasts an obsession with the novels of Jane Austen. This frothy take on literary time travel will appeal most to readers well versed in the celebrated authors memorable characters and themes.(Reprinted with permission of Booklist, copyright 2007, American Library Association.)

November 26, 2007
Orlagh Cassidy is delightfully fun as Courtney Stone, a modern Los Angeles girl nursing a heartbreak who wakes up to find herself inhabiting the body and life of a Jane Austenesque Regency girl. Cassidy is spot-on with Courtney's California accent, modern-day moaning about men, self-analysis and doubt, and sarcasm—and then, without missing a beat, flips easily into the proper, upper-class English tones of Jane (the Regency girl Courtney has replaced, whose accent came with the body), her pompous, controlling mother, her desperate suitor and her sympathetic best friend. Orlagh's lively narration makes Courtney even more endearing and brings the colorful story to life. Fans of Austen, chick lit, and romantic comedies should definitely put this one on their listening list. Simultaneous release with the Dutton hardcover (Reviews, June 4).