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Gods of Want

Stories

Audiobook
1 of 1 copy available
1 of 1 copy available
Startling stories center the bodies, memories, myths, and relationships of Asian American women in “a voracious, probing collection, proof of how exhilarating the short story can be” (The New York Times Book Review, Editors’ Choice)—from the National Book Award “5 Under 35” honoree and author of Bestiary

“Wise, energetic, funny, and wild, Gods of Want displays a boundless imagination anchored by the weight of ancestors and history.”—Kali Fajardo-Anstine, author of Sabrina & Corina and Woman of Light


WINNER OF THE LAMBDA LITERARY AWARD • ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, NPR, Them, Book Riot
In “Auntland,” a steady stream of aunts adjust to American life by sneaking surreptitious kisses from women at temple, buying tubs of vanilla ice cream to prepare for citizenship tests, and hatching plans to name their daughters “Dog.” In “The Chorus of Dead Cousins,” ghost-cousins cross space, seas, and skies to haunt their live-cousin, wife to a storm chaser. In “Xífù,” a mother-in-law tortures a wife in increasingly unsuccessful attempts to rid the house of her. In “Mariela,” two girls explore one another’s bodies for the first time in the belly of a plastic shark, while in “Virginia Slims,” a woman from a cigarette ad comes to life. And in “Resident Aliens,” a former slaughterhouse serves as a residence to a series of widows, each harboring her own calamitous secrets. 
With each tale, K-Ming Chang gives us her own take on a surrealism that mixes myth and migration, corporeality and ghostliness, queerness and the quotidian. Stunningly told in her feminist fabulist style, these are uncanny stories peeling back greater questions of power and memory.
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    • AudioFile Magazine
      With its stellar ensemble of narrators, this surreal short story collection creates an immersive listening experience. The narrators rotate with each story, making each one shine. The works feature a chorus of dead cousins, a woman who is trying to survive a catastrophic flood, and the delight of two girls who are falling in love. The stories revel in the unexpected, delightfully surprising listeners at every turn. The narrators are excellent, with Nancy Wu, Natalie Naudus, and Catherine Ho seamlessly moving back and forth between characters of all ages, keeping pace with each story's mood. Elaine Wang and Annie Q shine, in particular, perfectly capturing the angst of youth, the quick snap of a teenager's retort. Together, all the narrators are the perfect cast for this audiobook. K.D.W. © AudioFile 2022, Portland, Maine
    • Publisher's Weekly

      Starred review from May 23, 2022
      Chang (Bestiary) returns with a dazzling collection of stories within stories that draw on old myths to embody the heartache and memories of Asian American women. In “The Chorus of Dead Cousins,” the unnamed narrator is constantly disrupted by the ghosts of her dead cousins and tries to escape them by traveling with her storm-chaser wife to record a tornado. In “Episodes of Hoarders,” a woman nicknamed “little crab” grieves over her dead hoarder grandmother. A wild mother-in-law repeatedly pretends to die and makes married life a living nightmare for the protagonist of “Xífù,” who envies her lesbian daughter for being unattached to men. In “Anchor,” a young woman struggles with the verbal abuse of her aunt, who raised her after her mother died during childbirth. She’s also haunted by the ghost of a girl her aunt accidentally shot many years earlier, has delicate conversations with a nun at a nearby temple, and searches for the old toy gun her brother lost before he left for the military. Chang’s bold conceits and potent imagery evoke a raw, visceral power that captures feelings of deep longing and puts them into words. This stellar collection will leave readers hungry for more. Agent: Julia Kardon, HG Literary.

    • Library Journal

      December 1, 2022

      Chang follows her dazzling debut, Bestiary, with an uncanny and otherworldly collection of 16 short stories. These stories are visceral and strange, but feel utterly real, even when elements are fantastical. The surreality ought to obscure the explorations of humanity, of culture, and of queerness, but it somehow makes everything hit harder. The stories are divided up among five narrators--Catherine Ho, Natalie Naudus, Elaine Wang, Nancy Wu, and Annie Q--who are venomous about passive-aggressive family members, disgusted with society, and matter-of-fact about, if a bit exasperated by, interfering ghosts. The narrators are well balanced, providing listeners with an even audio experience. It is by no means a comfortable experience, however, as Chang explores pain and frustration in vivid and sometimes disturbing imagery. While each story stands on its own, aspects may resurface in later tales. Despite a certain amount of grotesquerie, these tales are often whimsical and strangely beautiful as well. VERDICT Experiencing this collection in print would allow readers to more easily savor Chang's lyrical writing, but listening provides an opportunity to fully dwell within the stories and be carried to the end.--Matthew Galloway

      Copyright 2022 Library Journal, LLC Used with permission.

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