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The Grimm Conclusion

Audiobook
0 of 1 copy available
Wait time: About 2 weeks
0 of 1 copy available
Wait time: About 2 weeks
From Newbery Honor-winning, New York Times bestselling author Adam Gidwitz

Did you know that Cinderella’s stepsisters got their eyes pecked out by birds? Really. And that 
Rumpelstiltskin ripped himself in half? And that in “The Mouse, the Bird, and the Sausage,” a mouse, a bird, and a sausage all talk to each other? (Okay, I guess that one’s not that grim.)
 
Those are the real fairy tales. But they have nothing on the fairy tales in this book.
For more twisted tales look for A Tale Dark and Grimm and In a Glass Grimmly.
* “Underneath the gore, the wit, and the trips to Hell and back, this book makes it clearer than ever that Gidwitz truly cares about the kids he writes for.” —Publishers Weekly starred review
 
“Entertaining story-mongering, with traditional and original tropes artfully intertwined.”—Kirkus Reviews
“As innovative as they are traditional, the stories maintain clear connections with traditional Grimm tales while creatively connecting to the narrative, and all the while keeping the proceedings undeniably grisly and lurid. . . .Readers will rejoice.”—School Library Journal
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  • Reviews

    • Publisher's Weekly

      Starred review from September 30, 2013
      If it ain’t broke, don’t fix it, and Gidwitz deploys his successful formula of bloody happenings and narratorial intrusion in his third and final installment of unexpurgated fairy tales. The protagonists are Jorinda and Joringel, who go through hair-raising and stomach-churning travails similar to those of their predecessors, Hansel and Gretel (in A Tale Dark & Grimm) and Jack and Jill (from In a Glass Grimmly); there are even a few cameo appearances by characters from the earlier books. Among the sources this time are “Cinderella” and “Sleeping Beauty,” lesser-known tales such as “The Juniper Tree” and “The Boy Who Left Home to Find Fear,” and a few non-Grimm tales. Reflecting his love of theory, Gidwitz takes an excursion into metafiction near the end that highlights the power of story, one of two key themes, along with the folly of repressing one’s feelings. Underneath the gore, the wit, and the trips to Hell and back, this book makes it clearer than ever that Gidwitz truly cares about the kids he writes for. Ages 10–up. Agent: Sarah Burnes, the Gernert Company.

Formats

  • OverDrive Listen audiobook

Languages

  • English

Levels

  • Lexile® Measure:630
  • Text Difficulty:2-3

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